Biological Half Lives
Note: This poem is a collaborative effort: half of the language of this poem (most of that aligned left) was taken directly from the Wikipedia page on biological half-lives. The other half of the language is my own.
The biological half-life
of a substance
is the time it takes for a substance
(for example a drug, a city, a daughter,
a paternal grandmother, a uterus, a country,
or other substance)
to lose half of its pharmacologic, geographic, internal, emotional, familial, reproductive,
physiologic,
or radiologic activity. Typically,
this refers to the body’s (or the brain’s, or the van’s, or the closet’s,
or the father’s, or the mother’s, or the photos in the
briefcase under the bed, or the passport, or the stories, or
the whole car or house’s cleansing through the function)
of kidneys and liver
in addition to excretion (for example the purging of material goods, selling the
doll house, for example, or killing the chickens, hurling
the couch into the ditch where it will sit, half its stuffing
spilling out and beginning to disintegrate, too, until the
maggots
move in, hundreds of tiny living moons
and how they work)
to eliminate a substance from the body.
In a medical context,
half-life may also describe the time
it takes for the blood plasma concentration
of a substance to halve
its steady-state
(or, when it comes to fathers, the time it takes
for the children to begin to drink, which can vary, really,
depending
on their age and roles in the family, birth order, that sort of thing).
The relationship between the biological (and emotional)
and plasma half-lives of a substance
can be complex depending (on the daughter or son in question, or)
on the substance in question,
due to factors including accumulation
in tissues (and photo albums, and horseback riding,
and how much sex the daughter has
to compensate, and how much acid the son drops,
which can depend on a variety of factors
such as how far it is to the orchard on her bike
and whether or not the barn has yet burned down
and how much she’s had to drink
and whether it was water or whiskey
and whether his friends were into mushrooms
or moonshine
and for example, the biological
(daughter) (I mean)
half-life of water in a human
is about 7 to 14 days (or, in memory, 7 to 14 years,
or, in cell memory, 7 to 14 decades,
or, in genetic capability, 7 to 14 millenia),
but
it can be altered by behavior.
Drinking large amounts of alcohol
will reduce (so many families) (I mean) the biological half-life of water in the body
and, for example,
the removal of alcohol through oxidation (which is not the same as collecting fossils, but has
some things in common, such as a daughter
who spends a lot of time at the river
and throws a lot of rocks through windows
of glass and water).
The removal of alcohol through oxidation
in the liver from the human body is limited.
Also the rate-limiting steps for one substance
may be in common with other substances (for example the removal of the daughter
from the property, or the removal of the father
from the property, or the removal of the son
and his guns and his cars from the property
or the removal of property
from the family).
Note that methanol is very toxic
and causes blindness and death. (Note that an alcoholic
is very toxic
causes blindness
in the mother of his children
causes love and devotion and questioning
in his adult children
causes sentences and paragraphs
and worry
in his adult children.)
A person who has ingested ethylene glycol (or antifreeze, or other sweet toxic things)
can be treated in the same way. Half-life is also relative to the subjective metabolic rate of the
individual in question.
Especially if the individual in question
is an individual in question
of questions
is an individual subjective to the half rate
of the brain
the half rate of memory
where his mother is a sweet sweet
toxic memory,
and a uterus is a walled ocean
of transport
into another continent
where all laws of half lives
remain constant
Maya Jewell Zeller’s Yesterday, the Bees, will be out in October 2015 from Floating Bridge Press. She is also the author of the book Rust Fish (Lost Horse Press, 2011) and recipient of awards from Crab Orchard Review, Sycamore Review, New Ohio Review, and elsewhere. Her poetry and essays appear/are forthcoming in recent issues of Pleiades, Bellingham Review, Tahoma Literary Review, and High Desert Journal. Maya lives in Spokane with her husband and two small children. Selected by Yasmin Belkhyr.
Image © Kerb via Flickr Creative Commons.